“The Disposable Woman” by Anna Holmes

“Gold diggers,” “prostitutes” and “sluts” are just some of the epithets lobbed at the women Mr. Sheen has chosen to spend his time with. Andy Cohen, a senior executive at Bravo and a TV star in his own right, referred to the actor’s current companions, Natalie Kenly and Bree Olson, as “whores” on MSNBC’s “Morning Joe” program on Tuesday. Arianna Huffington sarcastically tweeted that Mr. Sheen’s girlfriends “symbolize modesty, loyalty and good taste.” Mr. Sheen’s own nickname for Ms. Kenly and Ms. Olson — “the goddesses” — is in its own way indicative of their perceived interchangeability and disposability.

It’s these sorts of explicit and implicit value judgments that underscore our contempt for women who are assumed to be trading on their sexuality. A woman’s active embrace of the fame monster or participation in the sex industry, we seem to say, means that she compromises her right not to be assaulted, let alone humiliated, insulted or degraded; it’s part of the deal. The promise of a modern Cinderella ending — attention, fame, the love and savings account of a rich man — is always the assumed goal.

Read the entire essay in the New York Times here.

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